15,515 plays

deadfeline:

kingcheddarxvii:

My parents are asleep quick reblog this post with skeletons saying bad words

image

setbabiesonfire:


queertodaygonetomorrow:

atane:

wristxrocket:

dear-drifter:

lilightfoot:

Remember.

his life was totally in danger.

^^^^

True story; this officer (John Pike) got a settlement of $38,000 because he said he got depressed after pepper spraying these kids. Oh, the depression wasn’t for feeling remorseful for pepper spraying a bunch of college kids peacefully protesting. He got depressed because he said since the media kept playing the video of him pepper spraying peaceful kids without cause, he got threats and didn’t feel safe. He didn’t feel safe. I’m not making that up. This motherfucker collected nearly 40 grand on worker’s comp after assaulting a bunch of college kids.

http://www.huffingtonpost.com/2013/10/23/pepper-spray-cop-settlement_n_4152147.html

I reblogged this last night and said the same thing, but this one has a link attached so have this again, haha. I really hope he’s brought to justice - and since the courts won’t grant justice where it’s due, the people are going to have to take it upon themselves.

setbabiesonfire:

queertodaygonetomorrow:

atane:

wristxrocket:

dear-drifter:

lilightfoot:

Remember.

his life was totally in danger.

^^^^

True story; this officer (John Pike) got a settlement of $38,000 because he said he got depressed after pepper spraying these kids. Oh, the depression wasn’t for feeling remorseful for pepper spraying a bunch of college kids peacefully protesting. He got depressed because he said since the media kept playing the video of him pepper spraying peaceful kids without cause, he got threats and didn’t feel safe. He didn’t feel safe. I’m not making that up. This motherfucker collected nearly 40 grand on worker’s comp after assaulting a bunch of college kids.

http://www.huffingtonpost.com/2013/10/23/pepper-spray-cop-settlement_n_4152147.html

I reblogged this last night and said the same thing, but this one has a link attached so have this again, haha. I really hope he’s brought to justice - and since the courts won’t grant justice where it’s due, the people are going to have to take it upon themselves.

Karen Gillan-Guardians of the galaxy behind the scenes

lickableshota:

birdootdoot:

ocellite:

princekarkat:

heysawbones:

No wonder these cakes cost hundreds of dollars.

i fucking lost it at the water beads

I AM AROUSED, AWED AND HUNGRY, ALL AT THE SAME TIME

the flower part though im so done

I came in like “theres no way im watching a 2 minute video on cake” but i came out like “oh fuck im horny”

rememberingk:

nitratediva:

SAVE THE WORLD’S OLDEST FILM SET! Universal Studios’ Stage 28 has a lot of memories. Parts of Dracula, Torn Curtain, and The Sting were filmed there, to name only a few. Built for the silent Phantom of the Opera (1925), the original Paris opera sets are still there. Some say the soundstage is haunted—but those ghosts might be homeless soon.
Because the word is that Universal plans to tear down this landmark of Hollywood history.
If you want to save Stage 28, SIGN THIS PETITION NOW. And also sign this one. This is really important. It’s part of our cultural heritage.
I don’t like to ask favors of you lovely people who follow me, but please, please, please do this. Together you are mighty enough to reach the goal.

This is really important. If you didn’t know, Universal relied heavily on the Monster/Horror genre in the 1920’s. It was because all of these were huge hits that they managed to stay open during the Great Depression while other studios were closing left and right.
Some of the best make up designs were used for these films that we still use today. These films and sets made Universal Studios what it is today. It’s an important part of film history and history in general.
This needs to stay open so all are able to appreciate the hard work the studio has put in for 100 years now. With these signatures we can preserve a part of film history that shouldn’t be forgotten.

rememberingk:

nitratediva:

SAVE THE WORLD’S OLDEST FILM SET! Universal Studios’ Stage 28 has a lot of memories. Parts of Dracula, Torn Curtain, and The Sting were filmed there, to name only a few. Built for the silent Phantom of the Opera (1925), the original Paris opera sets are still there. Some say the soundstage is haunted—but those ghosts might be homeless soon.

Because the word is that Universal plans to tear down this landmark of Hollywood history.

If you want to save Stage 28, SIGN THIS PETITION NOW. And also sign this one. This is really important. It’s part of our cultural heritage.

I don’t like to ask favors of you lovely people who follow me, but please, please, please do this. Together you are mighty enough to reach the goal.

This is really important. If you didn’t know, Universal relied heavily on the Monster/Horror genre in the 1920’s. It was because all of these were huge hits that they managed to stay open during the Great Depression while other studios were closing left and right.

Some of the best make up designs were used for these films that we still use today. These films and sets made Universal Studios what it is today. It’s an important part of film history and history in general.

This needs to stay open so all are able to appreciate the hard work the studio has put in for 100 years now. With these signatures we can preserve a part of film history that shouldn’t be forgotten.

philliplight:

I read Neil Gaiman’s “Stardust” recently and doodled the severely pissed off and feisty fallen star, Yvaine.

philliplight:

I read Neil Gaiman’s “Stardust” recently and doodled the severely pissed off and feisty fallen star, Yvaine.

macabrekawaii:

twinfools:

Matrix in all his green glory

YOOOOOOOO THERE IS NOT ENOUGH FUCKIN REBOOT COSPLAY OUT THERE

macabrekawaii:

twinfools:

Matrix in all his green glory

YOOOOOOOO THERE IS NOT ENOUGH FUCKIN REBOOT COSPLAY OUT THERE

One of the many things Bill Nye taught me

viridianeyes:

poeticallyhighdreams:

boobiemun:

The difference between milk snakes and coral snakes is a crucial key to not dying. Coral snakes are extremely dangerous, and despite the low bite ratio, they can and will bite you if you’re not careful. Milk snakes are totally okay and chill. So remember, everyone.

If red touches yellow, you’re a dead fellow

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But if red touches black, you’re okay jack

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I read this as milk shakes and was very confused

askstalkerloo:

needs-more-pony:

kennoarkkan:

shadyfolk:

amaipetisu:

A few tips everybody should consider. I’ve experienced all those and some more. I’m not good at english but I hope you get it. Go and support some artists out there and let them draw you nice shit. Not as nice as FairyNekoDesu but still will be cool so give them a chance and you’ll be surprised.

THIIIIS.

All of these things.

Especially the deadline. If you don’t have a deadline thats way in advanced it’s not gonna get done by then. I am almost always taking on a ton of projects at once and sometimes need a break from it to: work on stuff for me, work on stuff for friends, search for jobs, be the work slave of parents, actually relax and try to relief stress, technical difficulties, researching on how to do stuff, ect.

Sometimes it’s done in a day. Sometimes it’s done literally a year later. But I always update the people I work with so they know I haven’t forgotten.

Do NOT rush your commissioner. Let them work at their pace and it will be worth it. Rushing them insures a rush job which will very likely make the quality decline.

All this is true. Also, ref sheets are the most important thing ever. I can’t stress that enough. They make the job A LOT easier (instead of having to compare 10 different pics between each other and see that everything fits, you just look at 1!!)  If you plan in commissioning your character a lot, or even if its not yours (like from an anime or something) Either commission one or look for ref sheets of the show (because there are!).

Also i strongly suggest not using Instant Messaging. Information can be lost pretty easily there and it’s hard to come back to it. Use emails instead. The info stays there, and it’s easy to search for it. It’s also an excellent way to keep track of the descriptions, so if either the client or artist made a mistake, you can see the email threads and see who’s right straight away.

also pushy clients LOVE instant messaging. Pls no.

All of this ^

Oh god yes this.